Continuing a casual survey of the horror genre begun last week with some recent old school releases on DVD, this week’s New York Times column moves into the post-Romero world of non-supernatural, body-centered horror as represented by Lucio Fulci’s “New York Ripper” (1982), Joseph Ruben’s “The Stepfather” (1987), Fred Dekker’s “Night of the Creeps” [...]

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