As the old year fades out, here’s a look at Bill Morrison’s beautiful and provocative “Decasia,” a film entirely assembled out of carefully chosen strips of decaying celluloid. Morrison reminds us, among many other things, that movies are at once glorious illusions situated outside the normal boundaries of time and space and highly fragile physical objects, subjected to a life cycle of their own. The fine new Blu-ray edition of Morrison’s 2002 film from Icarus brings his work into the digital realm, which is of course subject to its own kind of decay, possibly even more devastating in its effects than that which afflicts celluloid. No future Morrisons will be making movies of misaligned 1s and 0s. When a digital file goes, or when the technology to read it slips into obsolescence, it is gone completely and forever. It may well prove that the films of 2012 are more ephemeral than the films of 1912.
As has become custom in these parts at the end of the year, I’d like to invite everyone to submit their ten best lists, be they of new films, newly published DVDs, or older movies you’ve seen for the first time in these last twelve months. My next New York Times column won’t appear until Jan. 7.