A sample text widget

Etiam pulvinar consectetur dolor sed malesuada. Ut convallis euismod dolor nec pretium. Nunc ut tristique massa.

Nam sodales mi vitae dolor ullamcorper et vulputate enim accumsan. Morbi orci magna, tincidunt vitae molestie nec, molestie at mi. Nulla nulla lorem, suscipit in posuere in, interdum non magna.

Charlie Chan at Monogram

It’s good to see Warner Home Video digging into their Monogram/Allied Artists holdings, even if there are no undiscovered masterpieces among the four titles in WHV’s recent “Charlie Chan Collection.” Most of the auteur interest here is concentrated in the stylish opening sequence of Phil Karlson’s 1946 “Dark Alibi”; otherwise, you get Terry Morse’s rather messy “Dangerous Money” (1946), Howard Bretherton somewhat off from his breezy best with “The Trap” (1946) and William Beaudine sleepwalking through “The Chinese Ring” (1947), the first of the Chan films to star Roland Winters after Sidney Toler’s death. My review of the box is here.

The chief asset of the Monogram Chans is, of course, Mantan Moreland, a master of comic timing who, in a more just world, would have had Bob Hope’s career. “Dark Alibi” gives him a couple of scenes with his former vaudeville partner, Ben Carter, that are worth the Netflix postage alone.

The Monogram library may not be as rich as Republic (which is still being held hostage by Paramount), but there are many fine things in it — William Nigh’s $1.98 version of Cornell Woolrich’s “I Wouldn’t Want to be in Your Shoes,” Frank McDonald’s eerie late noir “The Big Tip-Off,” to name a couple — that merit exposure on TCM, if not a box set of their own.

52 comments to Charlie Chan at Monogram

  • alex R

    The most amazing thing about Don Miller’s B Movies is that he wrote it mainly from memory-he had seen all the movies in the book when they first ran in theaters . Besides the Hollywood Corral book he was a long time columnist for Films In Review and wrote a very comprehensive article in Focus On Film (Autumn1975) on Private Eye films. In that article he champions the B Movie Mysterious Intruder with Richard Dix as a sleazy private eye.
    I enjoyed this set of Chans very much- I especially liked the location work at Malibu beach in the Trap.

  • Moreland has a very funny bit in WATERMELON MAN (1970), coincidentally Mae Clarke’s last film.